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Tuesday, November 15, 2011

Ralph McQuarrie's Award Winning 'Cocoon' Concept Art

Ralph McQuarrie is famous for his work on Star Wars, but he got an Academy award for Cocoon. One of my favorite movies when I was a kid was Cocoon starring Steve Guttenberg.

It starred some of my favorite actors and the special effects of glowing aliens with removeable skin suits just seemed like the coolest thing in the world. The Academy agreed and they got an Oscar for "Best Visual Effects."


Cocoon is a 1985 science fiction film directed by Ron Howard about a group of elderly people who are rejuvenated by aliens. The movie starred Don Ameche, Wilford Brimley, Hume Cronyn, Brian Dennehy, Jack Gilford, Steve Guttenberg, Maureen Stapleton, Jessica Tandy, Gwen Verdon, Herta Ware, Tahnee Welch, and Linda Harrison. The film is loosely based on the novel by David Saperstein." - Wikipedia

McQuarrie described his designs this way.
"The script described a glowing alien, it was still a work in progress as I worked on the film. I envisioned the aliens as a light bulb that's too bright to look directly at."

KEN RALSTON, the Visual Effects Supervisor chimed in.

"I was lucky enough to work with Ralph on Cocoon. He took Ron Howard's vision and absorbed it, expanded upon it , and visualized it all in a series of striking images.

The saucer, the aliens, all the other invaluable ideas he produced once again inspired my visual effects team to achieve something special." 

Ralph is a big reason why we were honoured that year with the Oscar for best visual effects. Simply stated Ralph McQuarrie has the ability to paint dreams."

Sorry about the really small images. I can't find any art online, but I did find some thumbnails on McQuarrie's site. I couldn't decide which to share so I just did a screen capture.


Here's the trailer which shows some of the effects .


You can actually buy signed prints of his artwork at http://ralphmcquarrie.net. Forty bucks?! It's a steal.

What do you think of McQuarrie's art? Do you remember the film and have fond memories like I do?

Cocoon © 20th Century Fox  
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Friday, November 11, 2011

'The Dark Crystal' Concept Artist Brian Froud Exhibition Opens in New Year

Brian Froud worked on one of my favorite movies of all time: The Dark Crystal (1982). I've loved Jim Henson for as long as I can remember and loved the "grown-up" puppets of the movie.
The Dark Crystal is a 1982 British-American fantasy film directed by Jim Henson and Frank Oz. Although marketed as a family film, it was notably darker than previous material created by them. The animatronics used in the film were considered groundbreaking. The primary concept artist was the fantasy illustrator Brian Froud, famous for his distinctive faerie and dwarf designs. Froud also collaborated with Henson and Oz for their next project, the 1986 film Labyrinth, which was notably more light-hearted than The Dark Crystal. The film stars the voices of Stephen Garlick, Lisa Maxwell and Billie Whitelaw. - Wikipedia
One of the conceptual designers was a fantasy artist called Brian Froud. Anyway, there's an exhibition of his work coming in December. From "The World of Froud" with paintings, concepts and puppets from the minds and hearts of Brian, Wendy & Toby Froud.
Last year Sci-fi-o-Rama posted some scans from the book "The World of the Dark Crystal" a 2003 compendium of conceptual art, design and illustration produced for Jim Henson’s 1982 fantasy movie masterpiece “The Dark Crystal”.

Top: A conceptual sketch of an ‘Ur-Ru’. The Ur-Ru are the ying to the Skeksis yang, Ur-Ru represent light and good, the Skeksis dark and evil. Each Ur-Ru is inextricably linked to it’s Skeksis counterpart, both share a divided soul and are part of the higher being known as the ‘urSkeks’. This omnipotent super-race was violently spilt apart in an attempt to harvested the full power of the planets three suns known as “The Grand Conjuction”

2nd Top: A conceptual sketch of a ‘Skeksis’. For me creature and costume design doesn’t get much better than Skeksis – it’s not that the regal/Afghan hound looking Ur-Ru aren’t beautifully designed too (they are!) – there’s something memorably horrific about the Skekis, their shrill voices and bloated, twisted bodies wrapped inside fantastically elaborate but rotting clothing!

3rd Top: A perfect example of the fallen decadence – “skekEkt the Ornamentalist who made clothes above all for himself, rich fabrics that dripped jewels, the death of a 100 birds for 1 cloak. He first discovered the art of anointing the skin with a paste of clotted blood and diamond powder, to restore the sparkle of youth.”

4th Top: Another superior sketch, check the ruff, ruched sleeves and carefully balanced Tri-Spectacle action! “skekOk the Scroll-Keeper kept the record of the Skeksis; he was the smallest finest-featured, least honest of them all. He wrote and and rewrote his accounts, and kept changing them one or another of his shifting allies, The truth was soon lost.”

5th Top: A close up detail sketch of Skeksis head. A fair visual description would be to say the Skeksis are a kind of avian reptile, perhaps like an Archaeopteryx but also taking the most heavy visual cue from the Vulture .

Here's the press release
This December, Animazing Gallery will be presenting the first U.S. exhibition of Brian Froud's paintings and drawings, including original artworks from his published, international best-selling books and all of his concept drawings from Jim Henson's film Labyrinth. The exhibition will be open to the public daily. Animazing Gallery is located at 54 Greene Street (at Broome) in SoHo. For more information: 212-226-7374 or visit www.animazing.com

Brian Froud is regarded as the pre-eminent fairy artist of today and has redefined the image of Faeries in the 21st century. Froud is part of a long lineage of faerie painters and illustrators including Arthur Rackham, Richard Dadd, Walter Crane and Edmund Dulac and his work has hung alongside these exceptional artists - the greats of the genre - in museum exhibitions throughout the U.K. Froud's imagery; sensual, humorous and at times frightening, has rescued fairies from the Victorian nursery, to which they were relegated for so many years, and returned them to the dark, elusive and mysterious world of Faerie where they belong.
In November, 1998, Sotheby's "Realm of the Mind: Fantasy Art and Illustration" featured the work of such artists as; Dante Gabriel Rossetti, William Bell Scott, Richard Doyle, John Anster Fitzgerald, Walter Crane, Simeon Solomon and George Cruikshank. Brian Froud's painting from Good Faeries/Bad Faeries was chosen for the auction catalogue cover.

With over 30 books in publication and over 8 million books sold to date, Brian Froud's best sellers include Good Faeries/Bad Faeries (Hugo and Chesley Awards), Lady Cottington's Pressed Fairy Book (Hugo Award), the Faeries' Oracle and Lady Cottington's Fairy Album. His international best-selling book, Faeries with fantasy and Tolkien illustrator Alan Lee, published in 1978 and reissued in 2002 and again in 2010, is considered a modern classic and has sold more than 3 million copies.
Brian Froud has influenced a whole new generation of magical painters, book illustrators and filmmakers. Froud's landmark work with Jim Henson as conceptual designer on feature films The Dark Crystal (1982) and Labyrinth (1987), set new standards for design, puppeteering and animatronics in film and are, today, considered landmarks in the evolution of modern day special effects. Both films have achieved an international cult following.

The Animazing Gallery, NY exhibition entitled, BRIAN FROUD: VISIONS FOR FILM & FAERIE, will be comprised of original paintings of creatures from Jim Henson's The Dark Crystal, concept drawings from Jim Henson's Labyrinth and original material from the published Faerie books: How to See Faeries, Lady Cottington's Pressed Fairy Book and Good Faeries/Bad Faeries.

BRIAN FROUD: VISIONS FOR FILM & FAERIE will be in collaboration with a site-specific installation by Wendy Froud and their son, Toby Froud; both renowned doll and puppet-makers. Toby was the baby "Toby" in Labyrinth and is presently a puppet fabricator and sculptor at Laika Entertainment, the celebrated studio specializing in stop motion/animation film and television.

Wendy is the fabricator of "Yoda" from Star Wars: The Empire Strikes Back. She sculpted and fabricated "Kira" & "Jen" from The Dark Crystal as well as some of the Pod People, and sculpted and fabricated some of the goblins in Labyrinth. For this inaugural exhibition, Wendy Froud has recreated the Gelfling, Kira from The Dark Crystal. Kira stands 33" tall, and was sculpted using original hair and beading from original The Dark Crystal production.
Via io9
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Thursday, November 10, 2011

Ever Wonder Why 'Tron' Was So Brilliantly Weird Looking? Thank Moebius

The brilliant French concept artist Jean Henri Gaston Giraud, also known as Moebius, worked on Tron  (1982) alongside several others and his Avant-Gard influence was evident in every design.

Costumes




Solar Sail designs


Solar sail scene from the movie


 Dumont


Jean Henri Gaston "Moebius" Giraud http://www.moebius.fr/

This post wouldn't have been possible with material from several sites like Tron-Sector and theairtightgarage

See the work of Syd Mead for Tron here.

Related Posts:
How brilliantly weird was Moebius' work?
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Wednesday, November 9, 2011

Ride 'Star Trek 2009's' Police Bike With Johnny Eaves Jaw-Dropping Concept Art!


All the vehicles in Star Trek XI (2009) were amazing, but one that caught my eye was the Iowa police bike. It seemed so realistic and futuristic at the same time! Now production designer John Eaves has posted some drawings and a behind-the-scenes story about the project.

Turns out it was supposed to be much bigger till they shrank it to keep costs down. So, heeeere's Johnny!
The concept began as a pretty big bike, more of a helicopter size craft and it took a few long passes at the drawing board to get the copter version layed [sic] out and approved.

As time, story changes, and budget revisions took place the cycle had to scale down drastically to fit the new constraints and thus the flying speed bike came to be.

As much fun as would have been to see the big version I have to say this smaller bike really was a very cool departure and one big treat to see on the screen. The size screamed police more so than the previous and it was a good call on all fronts.

The bike went through a few design changes and what you see in today’s sketch was the final design. At Comicon 09 the prop was in a corner of the Mattel booth and it was great to finally get some pictures of her.

The early copter sized concept version of the cycle

 The smaller cycle designs
  From the 2009 con

The second trailer form the movie has a good shot of the bike in the opening.

I can't say enough about John "Johnny" Eaves blog so you gotta check it out. http://johneaves.wordpress.com/

What do you think of the designs? Would you have preferred the larger version?
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Tuesday, November 8, 2011

Merantz Concept Sketches Reveal The Lost X-Men Mutant Beak

Jerad S. Merantz's concept sketches show us a very different mutant for X-Men Origins: Wolverine. When the movie was scripted Dominic Monaghan was supposed to be a circus freak called "Beak."

The first version of the script by David Benioff had him  a carnival sideshow attraction, who was killed by Sabretooth. Instead they changed him to the electricity manipulating "Bolt."
Here is some work I did on the movie. Beak was a character that was intended to be in the movie but he was cut. - Merantz





I can't say enough about Jerad S Marantz's blog so check it out today! http://www.jeradsmarantz.blogspot.com/

What do you think of the art? Would you have preferred to have Beak in the movie over Bolt?
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Monday, November 7, 2011

Ryan Church Explains How 'Lava Planet' Became 'Star Wars: Revenge of the Sith's' Hellish Mustafar

A fascinating Blu-Ray behind-the-scenes clip with Ryan Church, concept design supervisor, explains how the design team translated Lucas' vague "Lava Planet" description into the lava drenched world of Mustafar.


Check out more behind the scenes clips on the Star Wars Blu-Ray disk and see more of Ryan Church's work at http://www.ryanchurch.com/
What do you think of the video? How would you have visualized a "lava planet?"
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Thursday, November 3, 2011

Drive 'Transformers Dark of The Moon's' Driller With Astounding Concept Art

If you've ever wondered what it would be like to drive the massive serpentine driller while it tore up skyscrapers and sidewalks, now's your chance.

Concept artist Ryan Church has posted concept art from Transformers Dark of the Moon (2011) and it is stunning as usual. He has a great eye for color and does amazing work with digital paintings.

While all his stuff is amazing, I love the idea of Shockwave settling into the cockpit thinking, "Did I fasten my seatbelt?"





For reference, here's a shot of The Driller from the film.

Church has a lot more astounding concept art, so check it out at http://www.ryanchurch.com/transformers3/

© 2011 Paramount Pictures.  All Rights Reserved.

Via: io9

What do you think of the art? Did you check your parking brake before heading up that skyscraper?
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